Skorch
June 2nd, 2008, 03:47 am
Scale illusion (Listen through stereo headphones, or stereo separated loudspeakers, best placed some distance apart)
Another effect first demonstrated by Diana Deutsch, this is an example of our brains "grouping" similar notes together. Two major scales are played: one ascending, one descending. However, the notes alternate from ear to ear – for instance, the right ear hears the first note of one scale, and then the second note of the other (see diagram, top right).
There are several ways in which people perceive these sounds, but the most common is to group the high and low notes together. Rather than hearing the two scales, people hear a descending and re-ascending melody in one ear, and an ascending and descending melody in the other. In other words, the brain reassigns some of the notes to a different ear in order to make a coherent melody. Right-handed people tend to hear the high melody in the right ear, and the low one in the left, while left-handers show a more diverse response.
5 Phantom melodies
Some pieces of music consist of high-speed arpeggios or other repeating patterns, which change only subtly. If they're played fast enough, the brain picks up on the occasional notes that change, and links them together to form a melody. The melody disappears if the piece is played slowly.
Compare these recordings of Christian Sinding's Frühlingsrauschen ("Rustle of Spring"). At the higher speed, the changing notes linger in your perception long enough to be linked into a melody, but at the lower speeds they're too widely separated. (original recording: www.classicalmidi.co.uk / Slow recording courtesy of Karle-Philip Zamor)
http://www.newscientist.com/channel/being-human/dn13355-music-special-five-great-auditory-illusions-.html
Take a listen...O_o :shifty:
Another effect first demonstrated by Diana Deutsch, this is an example of our brains "grouping" similar notes together. Two major scales are played: one ascending, one descending. However, the notes alternate from ear to ear – for instance, the right ear hears the first note of one scale, and then the second note of the other (see diagram, top right).
There are several ways in which people perceive these sounds, but the most common is to group the high and low notes together. Rather than hearing the two scales, people hear a descending and re-ascending melody in one ear, and an ascending and descending melody in the other. In other words, the brain reassigns some of the notes to a different ear in order to make a coherent melody. Right-handed people tend to hear the high melody in the right ear, and the low one in the left, while left-handers show a more diverse response.
5 Phantom melodies
Some pieces of music consist of high-speed arpeggios or other repeating patterns, which change only subtly. If they're played fast enough, the brain picks up on the occasional notes that change, and links them together to form a melody. The melody disappears if the piece is played slowly.
Compare these recordings of Christian Sinding's Frühlingsrauschen ("Rustle of Spring"). At the higher speed, the changing notes linger in your perception long enough to be linked into a melody, but at the lower speeds they're too widely separated. (original recording: www.classicalmidi.co.uk / Slow recording courtesy of Karle-Philip Zamor)
http://www.newscientist.com/channel/being-human/dn13355-music-special-five-great-auditory-illusions-.html
Take a listen...O_o :shifty: